foto: Mayra Azzi
credits
Conception, direction and dramaturgy: Carolina Bianchi
Performers: Allyson Amaral, Antonio Miano, Aron Moraes, Blackyva, Carlos Bruno, Carolina Bianchi, Chico Lima, Eduardo Bordinhon, Elias de Castro, Felipe Barros, Felipe Marcondes, Filipe Felix, Gabriel Bodstein, Giuli Lacorte, Gustavo Saulle, João Victor Cavalcante , José Artur Campos, Kelner Macedo, Leonardo Bianchi, Lucas Sereda, Maico Silveira, Maruan Sipert, Murillo Basso, Rafael Limongelli, Tomás Decina, Venâncio Cruz and Wallace Ferreira.
Direction assistance: Debora Rebecchi, Joana Ferraz and Marina Matheus.
Production: AnaCris Medina and Lu Mugayar
Sound: Joana Flor
Light: Alessandra Domingues
Light operation: Lui Seixas
Soundtrack search: Carolina Bianchi
Mayra Azzi Photos
Videos: Fernanda Vinhas
Effects: Gustavo Saulle
Scene objects: Tomás Decina, Rafael Limongelli and Nelson Feitosa
Costumes: Antonio Vanfill and Carolina Bianchi
International Distribution / Production: Metropolitana Gestão Cultural - Carla Estefan
Production direction: Jasmim Produção Cultural
Communication: José Artur Campos
Support: Mostra Caixote (Laura Samy), Darcy Ribeiro School and Espaço Montage.
lobo
carolina bianchi y cara de cavalo/ collaboration
This work, this piece seems to me like a struggle, a massacre, an orgy. One last corner. An escape. A clash between my body and these very different bodies. And at the same time, all of us are so similar, living this now cloudy. A circuit of affections. An impudent gesture. A small bomb. A terrorist dance of love. The last frames of a future film. A sip of air to end a speech. The attempt to divert the space. Again and again
The show is an archaic study of passion, a sacrifice of bodies that do not deny their fluids: sweat, saliva, blood. With a dramaturgy organized in pictures, Lobo can be considered a painting in movement. The performers form a chorus of crowd in extreme existence, in an unrestrained sequence of actions / images: they run, fall on the floor, fuck with space and with each other and recite poems by Emily Dickinson. The montage circulates in several languages, articulating text, dance, performance and theater.